IF NOTHING else appeals about the work of Monteverdi, it's hard not to be thrilled by the sheer excitement of his writing.
The often simple vocal lines which contort suddenly into something wildly complex. The harmonic language which takes frequent turns down completely unexpected paths. The sheer exhilaration of his writing, a feeling of modernity, of experimentation.
And where better to experience it all than in his Vespers of 1610.
This was not a performance decision taken lightly by the Southport Bach Choir, since it is a piece which puts massive demands on the choir, needs considerable stamina and the availability of competent voices, since the choir is called upon, at times, to sing in 10 parts.
Conductor David Williams had evidently done his homework and had put the choir through its paces. For the most part, this was a highly satisfying reading. It started off feeling ever so slightly reined in. The choir sound was a little reticent - but maybe they were saving themselves for later.
The final stanza of the Magnificat, for instance, had a very fine crescendo which built the excite-ment over several bars. The setting of the hymn Ave Maris Stella was very fine indeed: moving, well-balanced and just right for the occasion.
There were just one or two points where things felt a little weak. The Laetatus sum felt decidedly shaky at times and the 10-part Nisi Dominus felt underpowered, and a total contrast from the bright vivacity of Lauda Jerusalem.
The soloists were, without exception, brilliant. But how often do we hear soloists from Pro antione Antiqua in these parts? The venerable tenor, Ian Partridge, was, as always, a joy to hear, as was baritone Stephen Roberts.
The other two men, tenor James Griffett and bass-baritone Michael George were equally at home in this repertoire, but the stars of the soloist line-up had to be the sopranos Ruth Holton and Cecilia Osmond. They had perfect voices for this repertoire, sounded excellent as soloists but worked wonderfully well as a duet.
With some especially fine accompaniment from a number of players from the Orchestra of the Golden Age, as well as His Majesty's Sackbutts and Cornets - another ensemble to book for a quick return to the North West - this was a concert of which the Southport Bach Choir can be justifiably proud.
